Words by Geof Huth

177 words contributed

• adead
  uhDED
  being dead while still remaining a subject of constant
  speculation and attention
  Origin: from a sqwording of alive (the a- suggesting also “not”) and dead
  1990
• aeffective
  aa FEK tiv
  1. both affective (transmitting emotion) and effective
  (bringing about the hoped-for response) 2. effective in
  being affective
  Origin: sqwovernding of affective and effective
  1985
• allograph
  A certain written form of a particular letter. (Yet there is another level of
  meaning that changes with each allograph, an esthetic meaning that we
  cannot avoid.)
  Origin: [dbqp: visualizing poetics]
  4/2004
• allographics
  Of or pertaining to allographs. (He also drew the y as a balanced furca (Y),
  suggesting a nose between the two E’s, which are themselves displayed as an
  allographic form of the E known as the Greek E.)
  Origin: [dbqp: visualizing poetics]
  4/2004
• amd
  aamd
  and (but implying possession or responsibility on the part
  of the speaker)
  Origin: sqwording of and and am
  1991
• anonymone
  uh NAH nih muh NEE
  1. an anonymous person 2. someone whose identity is not
  known
  Origin: anonymo(us) + anenome (a flower, but also an entity)
  1989
• antidictionary
  Dictionary of creative, rather than serious, lexicography (see also
  contradictionary, neolexicon, and pataglossary). (This book of poems
  demonstrates the potential power of an artform I call the antidictionary.
  Antidictionaries provide entertainment or insight into the meanings that
  common or invented words may or may not have.)
  Origin: [dbqp: visualizing poetics]
  4/2005
• aoural
  ay OR ull
  both sounded and heard
  Origin: < aural + oral
  1992
• apodiuapoidfrpowioidf
  AH poe dee oo AA pwahd fri POE wee OIDF
  confusing, enigmatic, inexplicable
  Origin: aleatoric coinage fashioned at a computer
  1988
• apoerisis
  ay POE ree sis
  the figure of speech whereby a word is reduced from both
  its front and its back, leaving nothing
  Origin: < apocope + apheresis
  1995
• approceiver
  (aa pro SEE vuur)
  1. a person who views an artistic work, in a broad sense
  2. a person who not only views and reads, but who hears,
  feels (with mind and body) and even smells and tastes 3. a
  person who knows how to experience a type of art
  --approceive, v.
  
  Origin: [an onsqwording of the ixal appro- onto apperceiver to suggest "to apperceive appropriately" and "to receive and appropriate]
  7/7/1987
• artetic
  are TET ick
  having the qualities of artion
  Origin: adjectival form of "artion"
  1987
• artion
  ART shun
  commercial (often anonymous) art which, because of the
  different purpose intended for it, is not considered to
  have the same value as standard art
  Origin: < art + -tion
  1986
• asemic writing
  A form of visual poetry constructed entirely of invented letters or characters
  and, thereby, having no literal semantic meaning. (The first few sheets
  contained nothing that held any interest for me, but eventually I designed a
  couple of sheets of asemic writing that I found interesting enough not to
  discard.) (On each sheet of paper, I found the most careful and controlled
  asemic writing I’ve ever encountered.)
  Origin: [dbqp: visualizing poetics]
  4/2005
• audiolage
  AW dee oh lahzh
  1. audio collage 2. the sound collage produced on a tape
  recorder
  Origin: < audio- + collage
  1990
• averbal
  Not using or including words. (Every night this week, I’ve created at least one
  small visual poem. As I created the poems, I imagined them as being entirely
  averbal, I imagined that I was working with nothing but shape.)
  Origin: [dbqp: visualizing poetics]
  4/2005
• bdbd
  b D b D
  the repetition of like or similar shapes (in visual
  literature) or similar sounds (in aural literature) for
  cumulative effect
  —bdbdism, n
  —bdbdal, adj
  Origin: aural and visual coinage
  1985
• chainword
  CHANE wurd
  a word devised by stringing two or more words together,
  each of which must share at least one letter with each
  subword it abuts
  Origin: < chain + word
  ca 1990
• cinelage
  sih NAY lahzh
  cinematic collage, which would include extreme intercutting
  of unrelated footage and images printed atop each other
  Origin: < cinematic + collage
  1988
• collageration
  kuh LAHZH urr AY shun
  1. a collaborative collage
  2. the collage of not only materials but also of minds
  Origin: < collage + collaboration
  1988
• conceptext
  CON sept TEXT
  a conceptual text
  
  Origin: meioreducdancy of the phrase conceptual text
  ca 1990
• conflect
  kun FLEHKT
  1. to intertwine
  2. to tie together, inseparably and conflictingly
  Origin: unconscious bastardization of "complect"
  1984
• contradictionary
  A lexicomic glossary that re-defines a set of standard words (see also
  antidictionary, neolexicon, and pataglossary). (The Devil’s Dictionary, the
  most famous contradictionary, provides the real (that is, the cynical)
  definition of words so that we can finally learn that “black” is “white.”)
  Origin: [dbqp: visualizing poetics]
  4/2005
• dbqp
  Geof Huth’s micropress.
  Origin: [established in 1987 in Horseheads, New York]
  1987
• derefindition
  DEE reh fin DIH shun
  n. To coin a word by redefining (and, therefore, remaking) an old
  word (i.e., Amos M. Mouse's instigate, a short-lived controversy). --
  derefine, v.
  Origin: [ixalling of de- and re- onto the renonified findition; and re-placement of the ixals of redefinition to suggest derefine, redefine, rerefine, derefind, rerefind, dedefind and redefine]
  1987
• digital poetry
  Kinetic visual poetry created for viewing via a computer. (Currently, a still-
  developing form of visual poetry is digital poetry, visual poetry written for the
  computer screen, poetry whose words or letters dance before us, or which
  require us to carry out certain actions before it will relieve its secrets.) (But
  digital poetry finds much of its inspiration in cinema.) (With a little
  imagination, though, we may be able to devise ways to capture and preserve
  digital poetry, at least temporarily. One solution, though not a preferable one,
  is to convert the digital poem to some simple audiovisual format: motion-
  picture film, videotape, mpegs.)
  Origin: [dbqp: visualizing poetics]
  6/2004
• documental structure
  The essential layout and other visual elements of a particular type of
  document. (Think, for a second, of the hundreds of documental
  structures that can inform the printer’s fist of a visual poem: doodles,
  telegrams, emails, maps, architectural drawings, tickets, banners,
  memoranda, postage stamps, schematic drawings, rebuses, crossword
  puzzles, knitting patterns, advertisements, newspapers, word squares,
  scrolls, pennants, T-shirts, petroglyphs, tattoos, rubber stamps, illuminated
  manuscripts, indentures, broadsides, magazines, religious tracts, faxes,
  logos, train schedules, diaries.)
  Origin: [dbqp: visualizing poetics]
  9/2004
• electrified poetry
  Digital poetry based on pre-existing textual poems and which fails to create a
  satisfying digital environment for reading.
  Origin: [dbqp: visualizing poetics]
  2/2004
• eneneneny
  en EN en EN ee
  not knowing when to stop when spelling the word banana
  
  Origin: repetition of the common letter (N or en) in the word banana
  ca 1985
• etic
  EH dik
  having qualities
  {This is the vaguest of adjectives, but still a useful one.}
  
  Origin: < the isolation of the suffix -etic ("having the qualities of")
  1987
• euthanasiast
  YOU thuh NAY zee uhst
  someone who whole-heartedly supports the practice of
  euthanasia
  Origin: < euthanasia + e(n)th(u)siast
  1992
• extrasuperhippopotomonstrosesquipedalianism
  EK struh SOO per HIP oh PAH to MON STROH ses quih pih DAY lee uh nizm
  an extremely long word
  Origin: < extra- + super + hippopotomonstrosesquipedalianism
  ca May 1990
• fidgetglyph
  FIH jit GLIF
  a small handwritten visual poem in the guise of a doodle
  Origin: < fidget (what causes the production of one) + glyph (what one is)
  02/2002
• fussion
  FUH shun
  1. a simultaneous melting together and breaking apart
  2. more specifically, the effect of sqwording: the fusing
  together of two disparate words, and their straining
  towards separation
  Origin: < fission + fusion
  1987
• gatha
  A sound poem or its textual score by Jackson Maclow. (Written on graph
  paper, the sound poems in the Emmett anthology appeared under the name
  “gatha” (a term that refers to a type of chanted Buddhist poetry).)
  Origin: [dbqp: visualizing poetics]
  12/2004
• generational degradation
  The diminution of quality that occurs each time an analog document is
  copied. (What I first noticed about these documents is that they suffer from
  serious generational degradation. This first exhibit is not the best example of
  this feature, but I think it is fairly easy to see some of the signs of textual
  degradation.)
  Origin: [dbqp: visualizing poetics]
  9/2004
• gerundification
  JEHR uhnd ih fih KAY shun
  the coining of a new word by making a gerund of an old one
  Origin: < gerund + -ification, suggested by "gentrification"
  1987
• grammaticule
  gruh MAA dih KYOOL
  any small piece of grammar: word, syllable, punctuation
  mark, stress, etc.
  Origin: < grammatic + -cule (as in "animacule")
  1986
• huthification
  Transformation (of something) by a Huth (particularly Geof). (My huthification
  of the source text includes a more stylish sans-serif typeface (the Trebuchet
  you didn’t realize was the carrier of these words), the occasional use of color,
  a few more typographical games than any of its ancestral texts (save biloid’s),
  the incorporation of French into the text (appropriately enough, considering
  its genealogy), and a greater reliance on the pun for esthetic effect.)
  
  Origin: [dbqp: visualizing poetics]
  1/2004
• hyperscript
  A hypertextual manuscript. (Note that I’m using “hyperscript” below as the
  digital equivalent of “manuscript.”)
  
  Origin: [dbqp: visualizing poetics]
  8/2004
• hyphe-sqword
  HAI phih SKWUURD
  a hyphenated sqword: for example, G. Huth’s "pseudo-archai-
  poetic"
  Origin: < hyphenated + sqword (c.f.)
  1987
• idiolexicon
  id ee OH lek sih KAHN
  1. a dictionary of a single person’s language
  2. a dictionary of the words a single person invented
  Origin: < idio- (as in idiomatic) + lexicon
  1987
• idiosyntacty
  id ee OH sin TACK tee
  an individual’s personal syntax, especially if it is
  somehow very different from the norm
  Origin: < idio- (as in "idiomatic") + syntacty (suggesting "syntax")
  1987
• imbricasqword
  ihm BRIK uh SKWUURD
  1. a sqword in which one element of the word lays over a
  section of the other element: as in "latinesis" where
  the "latin" of it overlaps the "gen-" of "genesis,"
  partially covering it
  2. a sqword without a neat seam
  Origin: < imbricate (to overlap) + sqword
  1987
• imprescience
  im PRESH ince
  faulty extra-sensory perception
  Origin: < imprecise + prescience
  1991
• incely
  ince LEE
  1. perfectly
  2. nicely, to the smallest unit of measurement
  3. correctly
  Origin: a transposis of "nicely" that suggests "inchly"
  1987
• incerpt
  in SUURPT
  a passage placed within another document, transcript, etc.;
  a passage surreptitiously added to a document to change the
  document’s meaning to later researchers
  Origin: invented opposite of "excerpt"
  3/9/1988
• ine
  een
  stuff, matter
  Origin: a common suffix left to its own devices
  7/23/1988
• information art
  Art that uses information and the examination of information as its primary
  focus. (Imagine a possible piece of information art: a visual poem built within
  a GIS. A landscape of the imagination that is created out of words and
  images. An interactive environment whose particular reality each reader
  would determine. A place where each inhabitant could choose the particular
  aspects of the world to view. A land of word and shadow and possibility.)
  Origin: [dbqp: visualizing poetics]
  5/2004
• inuterofant
  in YOO der OH fint
  an unborn human
  Origin: < Latin "in utero" + infant
  6/9/1989
• invisible artist
  An artist who works in obscurity. (The greatest joy and deepest melancholy of
  an invisible artist is to flash for a brief instant into visibility, to set up a small
  stage upon the earth for people to view one’s work, to lean awkwardly in the
  corner and watch people view that art. From time to time, I’ve had such an
  experience, one that reminds me why I am an invisible artist and how
  appropriate it is to my temperament.) (The concept of the invisible artist—one
  who creates in obscurity, who works in little-known or little-appreciated arts,
  who passes for a real person—is another vanishing point.)
  Origin: [dbqp: visualizing poetics]
  6/2004
• ixal
  ICK sill
  1. suffixal and prefixal
  2. relating to the use of suffixes and prefixes and roots--
  the orts of language; the bits of meaning from which other
  words can be made
  ixal, v—to use ixals to make words
  Origin: < the suffix of "prefixal" and "suffixal" and "infixal"
  Feb 1987
• ize
  aiz
  to do
  {Itself, the ultimate techno-word.}
  
  Origin: coined by isolating the "-ize" found at the ends of many latinetic techno-words
  Jan 1987
• kidspeak
  kid SPEEK
  the peculiar and personal manner of speaking of young
  children
  Origin: kid + newspeak
  Oct 1994
• latinesis
  LAA dih NEE suhss
  the invention of words by using words from Classical
  languages —adj, latinetic
  This is one of the most important types of word-
  invention, especially in science.
  
  Origin: < "Latin" + "genesis"
  2/12/1987
• lexical poetry
  Textual poetry. (It is the visual cotext that distinguishes the visual poem from
  lexical poetry (or nonsense text).
  Origin: [dbqp: visualizing poetics]
  3/2004
• lovery
  LUH vurr ee
  the dreamy memory of a long-ago love.
  Origin: < love + revery
  11/8/1984
• mancy
  MAAN see
  1. divination in general
  2. any type of divination
  Origin: < -mancy (denoting divination)
  Oct 1985
• massess
  muh SESS
  the sometimes unknowing assessment of something by a great
  mass of unrelated people
  —n, massessment
  {A typical massessment would be of consumer products:
  even if people don’t consider what they are doing, when
  they buy or don’t buy something they are helping massess
  that product.}
  Origin: < mass + assess
  5/21/1987
• mathematical poetry
  A verbo-visual or purely verbal poetry that uses numerals and mathematical
  formulae and symbols as part of its text. (uch of my day today will be devoted
  to working on my "Historical Dictionary of Verbo-Visual Art," and I've begun
  by working on entries concerning mathematical poetry, largely because a
  couple of booklets of mathematical poetry came into my possession at the
  very end of 2003.)
  Origin: [dbqp: visualizing poetics]
  1/2004
• mathematicull
  MAA thih MAA tih CULL
  to decide mathematically how to make a selection from a
  group of items
  Origin: < mathematical + cull
  1/20/1988
• mathemetastasize
  MAA thih muh TAASS tuh SIZE
  1. to increase geometrically
  2. to have mathematical concerns override others
  Origin: < mathematics + metastasize
  1/20/1988
• meaningscape
  A visual landscape of verbo-visual sense. (There are no pretty how towns.
  No-one dances a didn't. Cummings is creating a weird meaningscape within a
  familiar, almost nursery rhyming, poem.)
  Origin: [dbqp: visualizing poetics]
  11/2004
• meioreducdancy
  MY oh ree DUCK daan SEE
  the shortening of a word to re-form it and coin a new word
  (i.e., James Joyce’s "sylble" which is a meioreducdancy
  of "syllable" forming a new word suggesting "sybil")
  Origin: < meio- + reduc- +-dancy
  7/4/1987
• metamemphasis
  MEH tum EM fuh sis
  extreme emphasis (like underlining a word six times)
  —metamemphatic, adj
  Origin: < meta(m)- + emphasis
  6/30/1987
• metaphorm
  MET uh form
  1. the form metaphor gives to phor
  2. that which metaphor changes things into
  Origin: < metaphor + form
  3/20/1988
• metaphormorphosis
  MEH duh for MOR fuh sis
  1. metamorphosing event of metaphor
  2. when metaphor increases an event beyond its literal
  level
  —metaphormorphosic, adj
  Origin: < metaphor + metamorphosis
  5/26/1987
• metasqword
  meh tuh SKWUURD
  1. a very long sqword
  2. a sqword about sqwords
  Origin: < meta- + sqword
  7/4/1987
• micropress
  A type of publishing house that consists of usually a single person and that
  produces short print runs of usually small and partially handmade
  publications. (There are many examples of such early micropress operations:
  bpNichol and David Aylward’s Ganglia Press and d. a. levy’s 7 Flowers Press
  published visual poetry in a wide variety of formats. At this point, the
  mimeograph revolution propelled the micropress movement.)
  Origin: [dbqp: visualizing poetics]
  7/2004
• mise-en-page
  The particular layout of a page of text. (Suffusing the entire mise-en-page is
  a faint reverse image of a newspaper page—media (in the form of printed
  words) soak into this entire image.)
  Origin: [dbqp: visualizing poetics]
  11/2004
• missivepistletter
  MIh sihv PIH sill LEH tuur
  a letter, a piece of correspondence
  {The word is merely a study in coincidence.}
  Origin: < missive + epistle + letter
  11/17/1987
• mnoun
  m NAOUN
  1. a type of spilleng which suggests one word within
  another word: i.e., taughtology
  2. a spilleng that alters the word into another word
  —mnonative, adj
  Origin: < mnemonic + noun
  6/10/1987
• morphorm
  MOR form
  1. perfect form
  2. form suggested by subject
  3. form as a sign of form
  4. purity of form
  
  Origin: < morph- (form, shape) + form
  7/4/1987
• nameograph
  A drawing of a thing created out of the wrawn letters of the word that names
  that thing. (From this illustration alone we can see that a nameograph is
  nothing more than the name of something or someone written in such a way
  that it forms a drawing of that person or of something associated with that
  person.) (The Robotype Galeria keeps adding new typograms to the front of
  the line, so anything you add to it will eventually recede onto deeper pages.
  Most of the products of this site are nothing more than Nameograph-like
  animals.)
  Origin: [dbqp: visualizing poetics]
  3.2005
• nanopublishing
  Publishing on the Internet instead of to paper. (Micropress publications rarely
  were published in print runs that exceeded 100, but nanopublishing makes it
  possible for that many people to see a publication on its very day of birth.
  Nanopublishing does have the disadvantage of ephemerality: if a publisher
  doesn’t make an effort to save any publishing efforts in cyberspace, these
  could disappear forever.)
  Origin: [dbqp: visualizing poetics]
  7/2004
• nasanal
  nayz AY null
  tending towards being a brownnose
  Origin: < nasal + anal
  Jul 1997
• neolexicon
  A glossary of neologisms (see also antidictionary, contradictionary,
  neolexicon, and pataglossary). (mIEKAL aND’s marvelous neolexicon Introgic
  Enclodiacy takes a number of the author’s invented words and defines them
  in outlandish ways.)
  Origin: [dbqp: visualizing poetics]
  5/2004
• nesss
  ness
  1. the swarming hereness of being 2. existence
  Origin: spilleng of the ixal "-ness"
  5/23/1987
• nocturnal press
  The micropress; those publishing efforts undertaken by individuals as an
  avocation and occurring primarily during the night. (When we struggle to
  present works of art that few others can enjoy, when we struggle to publish
  with small budgets and little wherewithal, when we live our lives more
  dedicated to art than money, we often find ourselves working at night at
  second jobs as publishers. Those of us who live our lives so are members of
  what I call the nocturnal press.) (The Once-Vibrant Nocturnal Press of Barney
  Square Apartments in the City of Schenectady, from Whence All Inspiration
  Flows.)
  Origin: [dbqp: visualizing poetics]
  7/2004
• oakgruynk
  oke GRAEENK
  1. damp, rotten oakwood 2. the wet moss on the trunk of an
  oak
  Origin: < oak + the invented word gruynk (suggested by grimy and junk), derived aleatorically from some lettered wooden blocks
  6/3/1990
• onsqword
  ahn SKWUURD
  a type of sqword where a word is sqworded onto (thereby
  replacing) a specific section (usually, a syllable) of
  another word (i.e., James Joyce’s "burstday" as an
  onsqwording of "burst" onto "birthday")
  Origin: < on + sqword (c.f.)
  7/5/1987
• optysyntax
  OP tee SIN tacks
  the syntax of visual space, size and proportion, as opposed
  to verbosyntax —optysyntaktyk, adj
  Origin: < optical + syntax
  5/21/1987
• painter’s palette
  A visual poet’s control of the visual and non-verbal aspects of a visual poem.
  (Personally, I control the painter’s palette by limiting it. I almost always use
  only primary and secondary colors—and I prefer primary colors.) (Robert
  Indiana, known primarily as a painter, is a good example of the type of visual
  poet most in control of the painter’s palette.) (If a poem is visually
  uncompelling, if it hides its beauty from us, then the painter’s palette is the
  source of the trouble.) (His masterpiece, “Io and the Ox-eye Daisy” exhibits a
  great amount of skill combining the printer’s fist and the painter’s palette
  into effective instances of the poet’s pen in action; this poem is fully visual
  and fully verbal, a delight for the eye, ear, and mind.)
  Origin: [dbqp: visualizing poetics]
  3/2004
• paper internet
  A hypertextual document based entirely on text printed on paper. (This is the
  magic of the paper Internet. We decide what to do, we cannot change any
  decision we make, the story unravels before us.)
  Origin: [dbqp: visualizing poetics]
  3/2004
• paraparadox
  PARE uh PARE uh DOCKS
  a seeming paradox —paraparadoxical, adj
  {Since a paradox is a seeming contradiction, a
  paraparadox is an actual contradiction that seems be a
  seeming contradiction.}
  
  Origin: < para- + paradox
  4/3/1988
• pareidolia
  The mind’s ability to find visual patterns and recognizable shapes where none
  are intended. (Pareidolia is the mind’s way of finding patterns within chaos. In
  a foreign place—even a foreign or visual text—we yearn for something we can
  hold onto, so we invent it. This ability to perceive (or invent) patterns is why
  we can see beasts floating in the sky as clouds and why we can find a knight
  errant in a child’s scribble.)
  Origin: [dbqp: visualizing poetics]
  9/2004
• pataglossary
  Glossary of standard words designed primarily for recreational use (see also
  antidictionary, contradictionary, and neolexicon). (Josefa Heifetz Byrne
  created her pataglossary, Mrs. Byrne’s Dictionary of Unusual, Obscure, and
  Preposterous Words, by presenting strange but “real” words with deadpan
  definitions.)
  Origin: [dbqp: visualizing poetics]
  5/2004
• pdqp
  A micropress focused on documenting Geof Huth and Nancy Huth’s families
  and creating mail art. (But my main interest is that exactly four pages worth
  of text huddled together near the end of the book discuss my artistic work as
  the publisher of dbqp and pdqb, two weird interrelated micropress operations
  that opened for business in 1987 and 1989 respectively.)
  Origin: 1989
  1989
• phor
  fore
  1. the thing itself 2. that which is increased by being
  given a metaphoric term to connote itself
  Origin: meioreducdancy of "metaphor" that invents a false sense of the root of the word
  2/20/1988
• photogramph
  foe dih GRAAMF
  a photogram and photograph in one
  Origin: < photogram + photograph
  7/25/1988
• phrasebound
  FRAZE baound
  a word that is used in a language only as part of one or
  two stock phrases
  Origin: < phrase + bound
  1991
• phraseosqword
  FRAY zee oh SKWUURD
  a type of sqword that is a phrase (usually hyphenated)
  presented as a single word (usually an adjective), such as
  John Ciardi’s "one-time-only-and-never-again"
  Origin: < phrase(ology) + sqword (c.f.)
  7/5/1987
• pmest
  pmehst
  absolutely everything; all of existence conceived as a
  single unit
  Origin: fr Shiyali Ranganathan’s five fundamental categories of everything: Personality, Matter, Energy, Space and Time
  12/01/1988
• poan
  PO aan
  1. a poem used as a koan 2. that poem or section of a poem
  that has the most resonance for an individual reader
  Origin: < poem + koan
  1/23/1988
• poemt
  pohmt
  1. the poet and the poem as one 2. the poem seen as a part
  of the poet 3. the poem in a situation (as in a reading or
  performance) where the division between it and the poet is
  less clear
  
  Origin: < poem + poet
  3/18/1988
• poeMvelopes
  An art object consisting of a visual poem applied by Joel Lipman to the back
  of an envelope via rubberstamping and usually distributed as a piece of mail
  art; sobrepoema (Spanish). (And these poeMvelopes are wonders in small
  packages. Joel is one of the masters of modern rubberstamping art, and he
  can squeeze onto the back of a tiny envelope (size 6 or 6 ¾) amazing little
  visual poems: tiny narratives, concrete poems, visual pwoermds, semi-
  abstract wordart, miniature placard poems.)
  
  Origin: [dbqp: visualizing poetics]
  1/2004
• poet’s pen
  A visual poet’s control of the linguistic aspects of a visual poem. (A clear
  exemplar of a visual poet most in control of the poet’s pen would be
  Apollinaire, who is now a famous textual poet to most of us.) (Much of
  today’s visual poetry functions beyond the world of words, so many consider
  the poet’s pen irrelevant.)
  Origin: [dbqp: visualizing poetics]
  3/2004
• porthermanteauphroditic
  PORT her man TOE fruh dih tick
  relating to the combinination of two things into one,
  especially if the things are opposites and hard to
  combine —porthermanteauphrodite, n
  
  Origin: < portmanteau + hermaphroditic
  12/12/1986
• possimistic
  paa zih MISS tick
  pessimistic in a useful, positive (not destructive) way
  Origin: coined found word “possimistic”; intended etymology is < possitive + pessimistic
  1990
• postprototorp
  POST pro toe TORP
  an imagined event as it actually happens —postprototorpik,
  adj
  Origin: < post- + prototorp
  5/27/1987
• premlip
  PREM lip
  the flap on the back of an envelope; one of the four major
  divisions of the classical envelope
  Origin: < prem- (twisted fr "preliminary") + lip, but invented without any meaning and the meaning was discovered later
  11/14/1988
• printer’s fist
  A deep understanding by a visual poet of the emotive and intellectual value of
  the visual features of letters, numerals and numbers, grammalogues,
  punctuation, diacritics, typefaces, and words. (I wonder if this great Cleveland
  poet knew the significance of that form of the letter E, or if he picked up and
  used the shape of the minuscule Greek e without even realizing it, just by
  handling all that Greek text. Is it possible, that as a prolific visual poet, he
  had so internalized the printer’s fist that he had internalized this bit of
  arcana?) (Good control of the printer’s fist shows an understanding of the
  shapes of letters and how those shapes affect meaning, shows the ability to
  place text in expressive contexts, and shows an ability to choose letterforms
  that deepen the meaning of the poem. Diter Roth—especially when he worked
  with text alone, without any words at all—clearly exemplifies the poet of the
  printer’s fist.)
  
  Origin: [dbqp: visualizing poetics]
  2/2004
• prototorp
  PRO to torp
  the first idea we have of how something is going to be, and
  how perfect (or awful, etc.) that idea is in our minds (no
  matter how different this idea is from the imminent
  reality) —prototorpik, adj
  Origin: < proto- + the reversal of proto-
  5/21/1987
• pseudoverinym
  SOO doh VEH rih nim
  a pseudonym used as a de facto verinym by artists—as in
  stage names and mailart names.
  Origin: < pseudo- + verinym
  1/26/1988
• psychronicity
  SIGH crow NISS ih tee
  the event of synchronic psyches; minds in synch; the
  synchronicity of minds.
  Origin: < psychological + synchronicity
  ca 1987
• punctuation poem
  Visual poem created entirely or primarily of punctuation marks and other
  closely related characters. (My favorite of his punctuation poems, entitled
  “Where,”5 consists of eight pieces of punctuation: seven serpentine question
  marks (each missing the underlying dot and, therefore, resembling the
  symbol for a glottal stop) followed by a single complete question mark.)
  (Most of these poems have few words, and the one above is a punctuation
  poem, which doesn’t have any words at all.)
  Origin: [dbqp: visualizing poetics]
  1/2004
• pwoermce
  pwormss
  the study of pwoermds
  Origin: < pwoermd + science
  06/12/1987
• pwoermd
  pwormd
  any one-word poem, such as Aram Saroyan’s famous "lighght"
  or Jonathan Brannen's "pigeoneon"
  {This word is a veritable pwoermd itself, since
  the "pw" at its beginning mirrors the "md" at the end,
  leaving the pseudo-archai-poetic "oer" in the middle of the
  word.}
  
  Origin: < poem + word (w/ the letters from each word alternated to produce the neologism)
  05/18/1987
• pwoermdt
  pwormdt
  a writer of pwoermds
  Origin: < pwoermd + poem
  06/17/1987
• pwoermdy
  PWORM dee
  pwoermds in general; the work or act of writing pwoermds
  Origin: < pwoermd + poesy
  11/12/1987
• Qage
  The attraction people feel concerning the shapes of particular letters of an
  alphabet and the particular beauty of individual alphabetic characters. (What
  we love about Qage is that it is so utterly foreign, that the shapes of its four
  pieces are so weird and wonderful. What keeps us returning to Qage is that it
  is totally familiar, that we know each of its letters like the lines within the
  palms of our writing hands.) (First, it shows us that he knows something
  about Qage, which is just about the first requirement we must make of a
  visual poet. Qage is both the remarkable, yet usually restrained, beauty of
  individual letters, and our recognition of the strangeness of the idea that
  mere shapes of ink (or even pixels) can carry any meaning.) (Gaze chooses
  the e because it is the ultimate letter of Qage; the minuscule e is so small and
  cramped that it is the letter used when people want to verify the visual
  reproduction of a text (if the top of the e fills with black, the reproduction is
  inadequate).)
  Origin: [dbqp: visualizing poetics]
  9/2004
• refrigerator poetry
  Poetry created by arranging magnetized words on a refrigerator. (The
  prosodic constraint of refrigerator poetry is always the vocabulary at hand,
  and I enjoy the challenge of trying to say something—anything—without the
  benefit of my full vocabulary.)
  Origin: [dbqp: visualizing poetics]
  12/2004
• rememory
  rih MEM or ee
  1. a memory of a memory 2. remembering remembering
  1992 I cannot remember this (remembering instead
  the effect of picture books upon my psyche & dream), but I
  keep with me in the pocket of my mind a rubbed-smooth
  amulet of a rememory: a towheaded toddler, kneeling, head
  bowed, hands and nose against the rough pungent surface of
  the newsprint, examining the pattern for meaning.
  {From “Endwords,” postface to Things Constantly Moving
  Against Electric Current, 2 Oct}
  
  Origin: < re- + memory
  3/28/1988
• remorsel
  rih MOR sil
  1. a small piece of remorse 2. slight remorse over a
  misfortune one has caused
  Origin: < remorse + morsel
  06/01/1992
• repetitition
  REH pih tih TIH shun
  a specific type of spilleng which repeats syllables or
  individual letters within a word --repetitit, v
  Origin: fr reduplication within the word "repetition"
  06/26/1987
• samiznet
  SAA miz NET
  the informal, decentralized system of transmitting texts,
  particularly jokes, over the Internet
  Origin: < samizdat + Internet (after the pattern of Dale Robert’s "samisfax")
  05/1996
• sandglyph
  A fidgetglyph carved into the sand of a beach. (I want to create more of these
  sandglyphs now because, it occurs to me, that practice might make me a
  better glyphist.) (Snowglyphs suffer from some of the same problems as
  sandglyphs: Impressions in the surface don’t necessarily show up well.)
  (Sometime last year, I learned to create sandglyphs, small doodle-like visual
  poems carved into the sand. A few days after my first creations, I decided to
  try to photograph these small creations before the sea erased them.)
  
  Origin: [dbqp: visualizing poetics]
  4/2004
• Saper-Warp Hypothesis
  The idea that a critic can make numerous factual mistakes about an artist’s
  work yet still succeed in making valid points about that artist’s work. (After
  reading this creative essay about me as an artist/publisher, I’ve developed
  the Saper-Warp Hypothesis, which theorizes that a critic who writes about an
  artist’s work is likely to make a number of factual errors, but that these won’t
  necessarily undermine the points of the critic’s argument.) (Roger does make
  a few tiny factual errors, but nothing that obscures meaning or misrepresents
  an essential truth, so we learn that the Saper-Warp hypothesis still applies.)
  Origin: [dbqp: visualizing poetics]
  1/2004
• schlaumpfkth
  shlaompfkth
  alternate spelling and pronunciation of "schlompfkt"
  Origin: designed to be longer than the original spelling, "schlompfkt"
  11/27/1987
• schlompfkt
  shlampfkt
  filler language; any piece of language added to any other
  piece of language for no purpose other than to expand the
  latter’s length --having the quality of filler language,
  adj --to use something as filler language; to use filler
  language, v
  {For example: the “mosquito” in “neato mosquito”
  does not alter the meaning of the phrase. Many spillengs
  and spronunciations also function in the same way but on a
  smaller lever.}
  
  Origin: coined to be the longest single-syllabled word possible, until an s is added to the end of it to make it plural
  11/14/1987
• seme
  seem
  any small bit of meaning, not necessarily a piece of
  language
  Origin: meioreducdancy of semiotic, suggesting semantic, semen, seem, & seam; later Huth discovered seme was over 100 years old
  06/23/1987
• semiobject
  see mee OB ject
  1. any semiotic object 2. something more than just a word
  as object; a thing with so much apparent or obvious
  semiotic value that the meaning of the thing begins to
  overcome the thing itself in the viewer’s mind, making it
  seem only partly the object it is 3. an object-poem —
  semiobjective, adj
  Origin: < semiotic + object + semi- (half)
  05/18/1987
• sesquigamist
  ses KWIG uh MIST
  a person who is married (but separated) from his or her
  spouse yet living with another person
  Origin: sesqui- + -gamist (as in polygamist)
  10/26/1987
• severlation
  seh vurr LAY shin
  1. breaking a word apart to suggest new words (by actually
  adding a space inside the word or by adding some piece of
  punctuation, usually a hyphen, there) 2. the severing of a
  word to increase its possibility of meaning —severlate, v
  Origin: < sever + several + -ation
  07/12/1987
• slowth
  slowth
  extreme laziness
  Origin: < slow + sloth, suggesting also lout
  02/01/1994
• snelectricity
  snih LEK trih sih tee
  the current felt on your teeth when you bite down on a
  piece of tin (actually, aluminum) foil and the foil touches
  your fillings
  Origin: < SN (the chemical symbol for tin) + electricity
  04/1985
• snowglyph
  A visual poetry created upon the surface of or carved into the snow.
  (Snowglyphs suffer from some of the same problems as sandglyphs:
  Impressions in the surface don’t necessarily show up well.) (I usually create
  my snowglyphs during or right after a big snowfall, because then I have a
  virginal sheet of snow to work upon. Today I created, out of twigs of maple
  and lilac and gooseberry, a small glyph but a word in length.)
  Origin: [dbqp: visualizing poetics]
  1/2005
• sphthasm
  sfthaa zm
  1. a great spasm 2. a verbal spasm 3. a spasm of words 4.
  a spasmic word (like sphthasm) —sphthasmic, adj
  Origin: < phantasm + spasm, suggesting fantastic
  06/23/1987
• spilleng
  spill ENG
  1. an outré spelling 2. outré spelling in general 3.
  intentionally misspelling a word to gain a certain effect,
  as in pwoermds or in words like divers (for diverse),
  compleat (for complete), or uv (for of)
  Origin: fr an outré spelling of spelling
  04/1985
• spillengce
  spill ENGSS
  1. the act or art of spilleng 2. the use of spilleng
  Origin: < spilleng + -ence
  11/17/1987
• spronunciation
  spruh NUHN see AY shun
  1. outré pronunciation 2. intended mispronunciation --
  spronounce, v
  Origin: fr a shortening of mispronunciation
  06/27/1987
• sqword
  skwerd
  1. a portmanteau word 2. any word invented by combining
  two (or more) other words 3. one of the many different
  types of sqwords: hyphe-sqword, imbricasqword, metasqword,
  onsqword, sqwovernd, tmesqwordsis
  Origin: < squished + word
  02/12/1987
• sqwovernd
  SQUOH vuurnd
  a sqword where the elements of the source words are woven
  together instead of just being placed beside each other:
  i.e., pwoermd and sqwovernd
  Origin: < sqword + woven
  08/07/1987
• stigmeological
  Related to the punctuation marks and the use of same. (Serifs are but one
  part of the skeleton of a letter that helps visual poets determine the visual
  look of the verbal and stigmeological characters they use.) (By reading this
  story, we were supposed to learn how to punctuate—to learn, specifically, a
  new stigmeological skill: how to use quotation marks.)
  Origin: [dbqp: visualizing poetics]
  1/2004
• swerd
  swuurd
  an embelishment of a word that is used in the place of the
  word itself: i.e., coinkidinky for coincidence (in this
  case, a spronunciation of coincidence) or bumbazine for bum
  (in this case, a schlaumpfkth enlargement of the original
  word)
  Origin: < swerve + word
  06/29/1987
• synotwin
  sin NAHT win
  an antonym, especially one that is not obviously opposite
  Origin: < synonym + not + twin
  04/17/1992
• tangernine
  In a set of like items, that item least like the rest. (If you twist tangerine just
  right, you end up with tangernine, a word I created in a dream. It is a
  common word now in my family. I’ve come to the conclusion that my mind,
  slowly rising into consciousness, created that word because I was a Tangerine
  myself for almost a year.)
  Origin: [dbqp: visualizing poetics]
  4/2004
• tecknowledgical
  teck nuh LEDGE ick ull
  having a lot of understanding of a technological nature --
  tecknowledgy, n
  Origin: < knowledge + technological
  02/19/1986
• textual object of contemplation
  A visual poem or other literary or semi-literary work that is intended to be
  viewed and considered rather than read in a cursory manner. (The best are
  wonderful textual objects of contemplation that use the arrangement of a few
  words or letters to suggest more than they say. The best concrete poems
  provide the reader a field upon which to create a thought, to consider a
  possibility, to learn something unexpected.)
  Origin: [dbqp: visualizing poetics]
  7/2004
• textual poetry
  Poetry consisting of words without any significant visual cotext. (Textual
  poetry presents us with blocks of text that we must interpret before we can
  hear and see their beauty, but visual poems exist on page or screen or stone,
  and we love their shape before we love their sense.)
  Origin: [dbqp: visualizing poetics]
  1/2004
• the three beauties (of visual poetry)
  The three general esthetic features possible for any visual poem: beauty to
  the eye, to the ear, and to the intellect. (It is uncommon for a visual poem to
  demonstrate the three competences and prove the poet a master of three
  modes, but it is almost unheard of for a visual poem (that mute beast of half-
  literature) to exhibit the three beauties of visual poetry. Yet we cannot believe
  that such visual poems are impossible.)
  Origin: [dbqp: visualizing poetics]
  3/2005
• tmesis
  The cutting apart of a word to reveal additional meanings within it. <p>
  
  additional info: (Tmesis appears frequently in contemporary poetry as a way
  of increasing the semantic content of a single word. In this way, tmesis works
  as a method of visual punning, a common technique of visual poets. Before I
  knew the word tmesis (or at least before I thought of it as cutting without
  filling), I used my own word for this technique: severlation.)
  Origin: [dbqp: visualizing poetics]
  3/2004
• tmesqwordsis
  tmee SKWUURD siss
  1. tmetic sqwording 2. when a sqwording is made of one
  word between the pieces of another word (i.e., G.
  Huth’s "beonecoming," suggesting “becoming one,” “be one
  coming,” and “bonebecoming”) --tmesqwordic, adj
  Origin: < tmetic + sqword
  07/05/1987
• transposis
  trahz POH sis
  the transposition of letters or syllables of a word to
  invent a new word, the new word always carrying within it
  the ghostly meaning of the parent word
  Origin: fr renonification of transposition
  11/30/1987
• tsemp
  tsehmp
  1. absolutely nothing at all 2. nothing that exists in
  time, space, energy, matter or personality 3. the total
  absence of anything
  Origin: fr reversing the order of the letters in the word "pmest"
  12/14/1988
• typewriter poetry
  Poetry that depends on the arrangement of characters with a typewriter for its
  effects. (Without knowledge of the world of typewriter poetry, Bob used
  overtyping and meandering lines of typewritten text to shape his words and
  texts.)
  Origin: [dbqp: visualizing poetics]
  2/2005
• typogrammar
  tie puh GRAA muur
  1. the grammar of typewritering 2. the grammar of
  gridspace --typogrammmatic, adj
  Origin: < typo- + grammar
  10/11/1986
• ULN
  yoo ELL enn
  a universal latent neologism
  Origin: < universal latent neologism
  12/04/1996
• underunrepredepostoverantianalphabetingmentationalismistical
  1. lack of not again before undone after too much lack of
  against not language-forming process state of being act of
  doctrine adherent supporting state of being 2. in the
  state of being an adherent to the state of being an
  inventor of language, not having not again before after
  having done too much against it 3. a vacillation between
  wanting to form new language and not wanting to form new
  language, because the language might begin to get away from
  meaning
  
  underunrepredepostoverantianalphabetingmentationalismistical
  ityness
  
  < under + un- + re- + pre- + de- + post- + over- + anti- +
  an- + alphabet + -ing + -ment + -ation + -al + -ism + istic-
  + -al + -ity + -ness
  Origin: < under + un- + re- + pre- + de- + post- + over- + anti- + an- + alphabet + -ing + -ment + -ation + -al + -ism + istic-
  1977-1987
• unetic
  uhn EH tik or you NET ik
  having no qualities
  {A very important word to describe nothingness;
  most people imagine nothingness as black or white, but
  black and white are both qualities, and nothingness can
  have no qualities.}
  
  Origin: < un- (not) + etic
  02/1987
• unilanism
  yoo nih LUH nizm
  a neologism whose existence is always possible within the
  language, especially if "discovered" independently by many
  people
  Origin: < shortening of "universal latent neologism"
  12/04/1996
• universal latent neologism
  yoo nih VUUR sill LAT int nee uh LUH gizm
  a unilanism
  Origin: phrasal coinage based on the meaning intended for the word
  12/04/1996
• urban browseline
  The point above which a graffiti artist cannot reach; that point on a wall
  above the highest sprayed graffiti. (The urban browseline is the highest point
  graffitists can get their spray cans to reach.)
  Origin: [dbqp: visualizing poetics]
  1/2004
• verbo-visual art
  Any artwork, including visual poetry, that depends on both verbal (textual)
  and visual effects. (The other example of verbo-visual art—which I’ll call it
  since it has more of a prose feel in spots—is a small leaflet entitled
  Ruminations and created by John M. Bennett and Lucien Suel.)
  Origin: [dbqp: visualizing poetics]
  12/2004
• verbosyntax
  vuur BOH sin TAKSS
  standard, verbal syntax --verbosyntactic, adj
  Origin: < verbo- + syntax
  05/23/1987
• verinym
  VEHR ih NIHM
  1. a true name 2. a person’s actual name, especially when
  it is a form of a name (like Madonna or Prince) used by a
  person quite a bit as a pseudonym
  Origin: < veri- (true) and nym (name)
  12/11/1987
• videoem
  vid dee OH um
  a poem for the videoscreen: these poems could be kinetic
  computer poems transferred to video, a performance of a
  poem, or some other videoimaging of a poem
  Origin: < video + poem
  03/17/1988
• videoet
  vih dee OH et
  a poet who makes poems for the videoscreen
  Origin: < video + poet
  03/18/1988
• videoetry
  vih dee OH eh tree
  1. videoems in general 2. the act or writing of videoems
  Origin: < video + poetry
  01/29/1988
• videolage
  vih dee OH lahj
  collage for the videoscreen--either kinetic-image or static-
  image collage
  Origin: < video + collage
  03/14/1988
• vigesimalism
  vih JEH sih muh lizm
  the fear of turning twenty and becoming an adult
  Origin: vigesimal (based on the number 20) + -ism
  1980
• violerotic
  vy ELL ih RAH dik
  1. violently erotic 2. erotically violent
  Origin: < violent + erotic
  07/29/1989
• vispoem
  A visual poem. (Number 5 beautifully reproduces the imaginative visual and
  textual landscape of a Keithian vispoem.)
  Origin: [dbqp: visualizing poetics]
  11/2004
• vispoetic artion
  Visual poetic advertising art. (In the kingdom of the visual poem, I include
  most “vispoetic artion,” advertising art that appropriates the techniques of
  visual poetry.) (The difference between visual poetry and vispoetic artion is
  the difference between art and craft, between abstract art and applied art,
  between creation and production, between light and dark.)
  Origin: [dbqp: visualizing poetics]
  1/2004
• visual cotext
  The visual element in a visual poem. (Visual cotext is not text at all but what
  the eye makes of the text and the image that accompanies the text.) (This
  cotext serves as an interlocutor for the text and might be an image (or
  images) within the field of the visual poem. The visual cotext might also be
  entirely integrated with the text itself.)
  Origin: [dbqp: visualizing poetics]
  3/2004
• visual pwoermd
  A pwoermd that depends on heightened visual form for its effects. (And now
  he transforms wax, charcoal, and string into brief but haunting visual
  pwoermds.)
  Origin: [dbqp: visualizing poetics]
  1/2005
• visualize
  To add visual character to. (They are visualized scripts for a performance, so
  tonight I performed them over the telephone and below are the results.)
  Origin: [dbqp: visualizing poetics]
  4/2004
• visualized poem
  A poem with some esthetic visual features but of only moderate significance.
  (The most visualized of the pages of the book is the sixth. Where the typeface
  and the size of the text change for emphasis, only to be covered by
  strikeouts.) (Second, the visual representations he used were a bit clumsy.
  Too much visualization to too little purpose.) (The humming of the text in my
  ears accounted for part of this attraction, but I was also entranced by the
  visualized text, the way in which phrasal scraps Dickey almost broadcast
  upon the page telegraphed meaning out to me in a manner that suggested
  pauses, elisions, gaps.)
  Origin: [dbqp: visualizing poetics]
  5/2004
• word
  wurd
  to produce with words through writing, drawing, filming, or
  any other means
  Origin: fr the invention of a verb form of "word" from the noun form
  06/02/1990
• wordist
  WUURD ist
  one who produces artworks with words through writing,
  drawing, filming, or any other means
  Origin: the coinage word + -ist
  06/02/1990
• wores
  WAW rays
  1. the customs regarded by a social group as being
  detrimental to its preservation and welfare 2. customs
  accepted as deviant by a group or community --wos,
  singular
  Origin: < the letter w (suggesting worry, wrong, wore, etc.) + mores
  03/09/1988
• wos
  wohss
  1. a custom regarded by a social group as being detrimental
  to its preservation and welfare 2. a custom accepted as
  deviant by a group or community
  Origin: < mos (the singular form of "mores") + the coinage wores
  03/09/1988
• wraw
  wraugh
  1. to write a drawing 2. to draw a writing
  Origin: < write + draw
  06/25/1988
• wrawing
  wraughing
  1. a drawing of a writing 2. a written drawing 3. a
  drawn writing 4. a visual merging of word and image 5. a
  visual gestalt half-word and half-drawing
  Origin: < writing + drawing
  06/02/1988
• xerograph
  A photocopy. (I have original photographs of a few of these, so I’m usually
  disappointed with their reproduction as xerographs.)
  Origin: [dbqp: visualizing poetics]
  5/2004
• xerographic transmogrification
  The transformation of images through the use of photocopying. (But those
  two little words led me to think about xerographic transmogrification, or the
  particular features of generational degeneration and other effects that are
  possible only through the magic of a photocopier.)
  Origin: [dbqp: visualizing poetics]
  3/2004
• zyxyz
  zih ZIKS
  verbally or visually patterned language (such as crossword
  puzzles, word squares, and many concrete and sound poems)
  where the pattern is not determined on the basis of
  verbosyntax --zyxyzm, n --zyxyztyk, adj
  {See bdbd.}
  
  Origin: letter-pattern coinage
  05/21/1987

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